"Heathers" is almost like a jet black version of "Rebel Without A Cause" (1955) or some such as it steadfastly plumbs the complicated labyrinthine depths of teenage angst and comes up with a radical and downright homicidal anti-social solution. It is overflowing with the largely inconsequential concerns of the hierarchy which exists in all schools to a greater or lesser degree and it provides some harsh examples of this at its most cruel and unforgiving. Who would want to be a teenager again? Anyway, no matter how dark this film becomes and no matter how close Veronica is to ridding her life of the Heathers of the title, she still demurs at the last moment and stops short (she even prevents the eager J.D. from blowing the school up with explosives). The message here is a simple one: The wholesale destruction of the school and all it represents to disenfranchised teenagers everywhere is not the answer to life's innumerable problems.
RELEASED IN 1989 and directed by Michael Lehmann, “Heathers” stars Winona Ryder as Veronica, a high school student in Ohio who has sold herself out to join the popular clique of three girls, all coincidently named Heather (Kim Walker, Lisanne Falk & Shannen Doherty). The more she spends time with them, however, the more she discovers she can’t stand them. Enter mysterious new kid, JD (Christian Slater), who has a macabre solution to Veronica’s conundrum.
This is an oddball teen movie that tries to be edgy and amusing with its black humor and overt cussing. Future movies were influenced by it, like “Jawbreaker” (1999) and maybe even “Mean Girls” (2004). The commentary on peer pressure, teen suicide and the maiming destructiveness of cliques is potent. Teens can be misled by the “popular” students, yes, but they can also be misled by the outcasts.
Slater stands out as a sorta dark Fonz of the late 80s, easily one of his best roles ever. Ryder is surprisingly good as the protagonist. I say “surprisingly” because I was never big on her (although I didn’t dislike her either). The first act is quite good, but the story gets humdrum in the middle; thankfully, the last 20 minutes perk up. The late 80’s ambiance is to die for.
I’m not going to give it away, but the original ending was way more morbid. They had an alternative ending that they didn’t go with either. Apparently the studio pressured the writer/director to go with the theatrical ending, which I approve. It’s a story of redemption. Being misled by corrupt people for a season doesn’t define a person forever.
THE MOVIE RUNS 1 hours & 43 minutes and was shot in Los Angeles (the high school) and surrounding area (Santa Monica, Tujunga and Pasadena). WRITER: Daniel Waters.
GRADE: B-/C+