The Sting (1973)

Not only does it sting, it floats like a butterfly as well.
Academy Award Winner Best Picture, Academy Award Winner Best Director-George Roy Hill, Academy Award Winner Best Screenplay-David S. Ward, Academy Award Winner Best Editing-William Reynolds, Academy Award Winner Best Song Score-Marvin Hamlisch, Academy Award Winner Best Art Direction/Set Decoration-Bumstead & Payne, Academy Award Winner Best Costume Design-Edith Head, Nominated for Best Actor (Redford), Best Cinematography, Best Sound.
Few films can draw me in and indulge me on repeat viewings like The Sting does, it was barely 36 hours ago when I sat there talking to the screen offering advice like I was in the flipping film. I have seen it written that the film's success was only garnered because of the star appeal of the leads! Well for starters that is an insult to Robert Shaw who may be accused of overdoing it at times, but his portrayal of Lonnegan is a complete joy, witness the fury on his face during an on train poker game as the irrepressible Newman does comedy gold. Visually the film is a delight, and the story fuses together to culminate in an ending that not only stings with impact; but also floats like a cinematic butterfly. 10/10

Say what you like about the undoubted chemistry between Paul Newman ("Henry") and Robert Redford ("Johnny") this film belongs to a superb effort from the understated but hugely entertaining Robert Shaw. He's the hard-nosed gangster "Lonnegan" who gets (anonymously) fleeced by a "Johnny" who quickly decides that discretion is the better part of valour and gets out of Dodge. It's at this stage that the two grifters decide that their mark could be good for a great deal more money and so set up an elaborate operation purporting to be an undercover betting (on horses) proposition. Now "Lonnegan" ain't no easy target and every step they take is filled with danger - but slowly and surely the two, alongside a veritable army of fellow cons, start to piece together the ultimate lure for this clever, but ultimately greedy, man. Can they pull it off? Can they pull it off and survive? The films looks great, the writing is quickly-paced, humorous and it allows for loads of engagement between almost everyone - including an on-form Eileen Brennan and the charismatic "Kid Twist" (Harold Gould). The aesthetics are fabulous too - the sets, costumes, cars - even the tommy guns - all work really well adding huge richness to this cracking tale of the worm that turned. The Scott Joplin accompaniment is just icing on the cake of this classy and stylishly entertaining crime drama that I still love watching, fifty years on.