Moon (2009)

Gerty, we're not programmed. We're people, do you understand?
Directed by Duncan Jones and starring Sam Rockwell, Moon finds Rockwell as Sam Bell who is coming to the end of his three year contract on a lunar station working for Lunar Industries. His only companion is an intelligent computer named GERTY (voiced by Kevin Spacey). When Sam has an accident he awakens to find he is now not alone and all he thought and believed in is just not as it seems.
Forget any fears about a low budget and any plot similarity to 2001: A Space Odyssey, for this is a cracker jack of a science fiction picture. Film quickly fills us in on Sam Bell the man and his function up there on the lunar station. His relationship with GERTY the computer grabs our interest whilst the production design has a sort of medicinal sheen to it. Once Sam's solitude is established, the minimal contact with Earth explained, the pic then spins into another dimension, dragging both Sam and us viewers into the vortex.
To say more would be churlish, but this is adult science fiction, clever in existential whiles and scathing with observations on corporate shenanigans. Narratively it's evocative in its telling, even haunting and philosophical, where a brilliant Rockwell nails every inch of Bell's search for being, and crucially, the truth. It's all building towards a finale of some devilish substance, no cop outs or easy fed answers, just a pertinent question asked of the viewers. Moon comes highly recommended to sci-fi fans who are after a bit more than mere sparkly fluff and robotic chaos. 9/10

Sam Rockwell is really good here as the sole occupant of a lunar base. Coming to the end of his three year stint, "Sam" is beginning to suffer from the effects of his loneliness. With only his automated pal "GERTY" (Kevin Spacey) for company, he longs to get home to his wife and daughter and to some semblance of a normal life. His job is to harvest the clean energy giving "Helium-3" and send it back to Earth and it's an accident on one of the harvesters that sees him wake up in the infirmary. "GERTY" assures him that everything is OK, but when he gets back on his feet, he becomes uneasy about the truth. How did he get back? What did happen? Despite the protestations of his carer, he returns to the silo and makes quite a startling discovery. Is he losing the plot? This interaction causes him to question everything about himself, about his mission and about, most importantly, his future. Does he have one? Does he even have a past? Rockwell really does capture strongly the sense of encroaching, almost claustrophobic, isolation married with an increasing sense of confusion and exasperation. He starts to feel fear - but what of? It's the increasing lack of the tangible - mental or physical that gives this story a potency and the supposed caring voice that emanates from the walls ostensibly looking out for him, becomes more menacing as the story rattles along. Well worth a watch if you like your sci-fi a bit more cerebral.