8MM (1999)

Into the perverse underworld of smut, S&M and snuff films
RELEASED IN 1999 and directed by Joel Schumacher, "8MM" chronicles events when a private investigator (Nicolas Cage) is hired by an aged wealthy woman whose husband recently passed away. A snuff film was found in his safe and she wants to see if the girl in the movie (Jenny Powell) really died or not. Amy Morton appears as the girl’s mother while Joaquin Phoenix plays a wannabe rock musician in Los Angeles who works in the porn trade. Catherine Keener is on hand as the P.I.’s wife.
The movie combines the basic plot of “Hardcore” (1979) with the style of late 90’s crime thrillers, like “Kiss the Girls” (1997). The first half involves the P.I.’s tracking down the makers of the snuff film. While it’s tedious work (which I wouldn’t want to do) this part of the movie is gritty and compelling. The second half of the movie goes into material that’s difficult to pull off with a straight face, like the smut-obsessed underbelly of Los Angeles & New York. The main villains come off cartoonish somehow rather than gritty realistic, but it’s a fine line.
Still, I like the message of the movie. My wife & I knew a wealthy man who passed away a few years ago. He often didn’t pay the people he did business with, not to mention his employees who were living paycheck to paycheck. Someone asked him how he could own two Cadillacs and regularly go on globetrotting vacations while treating people like this and he arrogantly responded: “Because I caaAAAN.” The low-lifes in “8MM” have a similar attitude.
THE MOVIE RUNS 2 hours 3 minutes and was shot in Miami, Pennsylvania (Wormleysburg/Harrisburg), New York (Hastings-on-Hudson, Elmsford, Yonkers, Queens & Long Island) and S. Cal. (Los Angeles & Long Beach). WRITER: Andrew Kevin Walker. ADDITIONAL CAST: Anthony Heald plays the rich woman’s lawyer while James Gandolfini, Peter Stormare and Chris Bauer appear as smut pervs.
GRADE: B

Joel Schumacher does it again. Look into how this film was made, what went into it, the intended directors, the intended stars, the intended budget.
It started as a low budget "Dark and Gritty" film that was going to be "hand held" and star Russel Crowe and be directed by David Fincher... that would probably have worked. Look at the release date, 1999, when audiences welcomed low budget movies done well. Back in the 90s audiences accepted low budgets and dark and gritty films.
It could have been the sleeper success that Se7en was.
Instead you got Schumacher that lightened it up, and Cage that brought in more of a budget that in turn brought in more studio interference that wanted it lightened even more... with a director that agreed.
And what could have been a great movie turned to be throwaway junk... that Joel was "Still proud of" decades later, but saw the writer throw up his hands, walk away, and disown the mess.
And this was written by Andrew Kevin Walker, he tells a good story, especially if you keep things on the darker side.
This COULD have been a moody, dark, thriller with a tone so ominous that it stays with you decades later. A film that took off out of nowhere like Se7en did...
... instead it was junk and a film so forgettable that I had to be reminded that I had seen it, and, after 15 minutes, reminded why I blacked it out.