Cabrini (2024)

A cracking movie!
I can't say I was expecting much from 'Cabrini', given I hadn't heard anything about it online or in real life - no trailers or anything of ilk. I was also alone in the cinema , which is pleasing personally but is possibly a bad sign for a movie. In actuality, though, it's a great production! Supremely acted, astutely paced, some awesome visuals and a strong score.
The cinematography really is excellent, I lost count the amount of times I thought to myself "What a shot that is!". As for the acting, Cristiana Dell'Anna puts in a terrific lead performance - it's naturally, given I've only seen one or two Italian flicks, the first time I've seen her in anything, here's hoping she appears more in what I watch. Giancarlo Giannini also stood out to me. Good to see John Lithgow and David Morse, too.
A really nicely told (true!) story. The ~2hrs 20min run time truly flew by. I highly recommend checking this one out if you get the opportunity!

Cristiana Dell'Anna delivers strongly here as the eponymous nun determined to set up a network of orphanages in China to help the sick and impoverished children there. Her persistent hassling of the Vatican for permission - and funds - has finally wound them up to the point where she is invited to Rome to be finally told no. Even there, though, she's sticking to her guns and after a persuasive audience with Pope Leo XIII (Giancarlo Giannini) manages to get permission to prove her worth - only in New York! To it's slum and run-down Five Points district she is sent and what now begins is an adventure that tests her very mettle as the, at best indifferent, attitude of the Archbishop (David Morse) is more concerned with appeasing the Mayor (John Lithgow) than facilitating her wishes for profound change. It's curious that in a city founded by immigrants there existed such a polarity of the Italian, the Jewish and Irish communities offering little, if any, tolerance of the other. Cabrini realises that neither her religion nor her status as a nun is going to help her - she is going to have to recruit local urchins and fight for every scrap of progress. It's history, so we do know what ultimately happens but Alejandro Monteverde has produced a classy looking portrait that still imbues enough jeopardy into the proceedings as she struggles. Her single-minded determination, her bloody-mindedness - all tempered with huge amounts of humanity and decency are well portrayed here. This is a very good looking film, and the narrative also demonstrates clearly the diminished role of women in what purported to be an open and democratic society - American and Italian, and a class system that cared little for those who lived on the wrong side of the tracks. It's a bit long - there are moments that slow the pace down and drag the story, but in the main this is a poignant telling of the story of a woman who was prepared to sacrifice whatever was necessary for those less privileged.