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Terminator 3: Rise of the Machines (2003)

Terminator 3: Rise of the Machines (2003)

R 109 minutes EN Action , Thriller , Science Fiction
The Machines Will Rise.
It's been 10 years since John Connor saved Earth from Judgment Day, and he's now living under the radar, steering clear of using anything Skynet can trace. That is, until he encounters T-X, a robotic assassin ordered to finish what T-1000 started. Good thing Connor's former nemesis, the Terminator, is back to aid the now-adult Connor … just like he promised.
CinePops rating:
5.0 /10
6 votes
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Top cast

Arnold Schwarzenegger
The Terminator
Nick Stahl
John Connor
Claire Danes
Kate Brewster
Earl Boen
Dr. Peter Silberman
David Andrews
Robert Brewster
Carolyn Hennesy
Rich Woman
Jay Acovone
Cop - Westside Street
Mark Famiglietti
Scott Petersen
Chopper Bernet
Chief Engineer
Christopher Lawford
Brewser's Aide

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Makeup Effects
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4 reviews, comments and opinions
The most positive review

SPOILERS
Under-rated, worthy chapter to the story, with surprisingly provocative ideas and some stellar acting.
While this movie admittedly has neither the grit of T1 nor the grand vision or pathos of T2, I'd like to share what I believe to be three elements which together cement T3's place in the canon of the Terminator franchise.
The first is the way the actors acted the relationship between Connor and the T-800. While Connor has memories that we the audience recall from T2, the T-800, played by Arnold, was not the same T-800 from T2. This is just another machine from off an assembly line of T-800s that were manufactured. Yeah, Arnold looks like Arnold, but this T-800 has no memory of the previous installment because it was not there. And he acts disconnected, distant and mechanical, betraying zero connection to Connor. That was really cool, and helped we the audience appreciate that, where the T-800 comes from, is a much bigger place than we had heretofore really digested. We only ever saw one or two at a time back in our time; the reality we had not yet seen by the time of T3, is that the future was full of these things, and there's nothing personal about them. We the audience wanted to reconnect to all the good feelings from the end of T2, we wanted to get personal with these machines, and that's really hard to do. This movie smacked us back to "reality".
The second aspect is that this is the movie that puts the transition to SkyNet into a context that we could see. Now we know why and how the government handed control over to SkyNet. T3 displayed what we'd heard a little about in T1, and a little more about in T2, but it did so in a way that did not prompt much in the way of "where did that come from?" or "what are they talking about" that I've ever come across (Terminator Salvation failed test this miserably, spectacularly).
The third and final aspect of the movie that, for me, was rather provocative is that, right up to the end, we the audience are following the stubborn view of Connor that judgment day can be stopped. He was sure they'd stopped it at the end of T2. He was sure they were racing to stop it throughout T3...but, if we the audience stopped ourselves from being emotionally carried away, we'd have come to the realization Connor did earlier that judgment day could not be stopped. The terminators kept coming back from the future because the technology had advanced to where it was both possible and necessary. So judgment day did happen, and the terminator being there meant it couldn't be stopped.
Is T3 the best in the franchise? Heck no! C'mon, I'm not totally crazy. Is it the worst? I don't think so, at all. (I, personally, lay that crown on Terminator Salvation, but I digress...) T2 is the best, for me, for a few reasons. T1 is the honourable second because it started the story and set up many of the devices that would help make T2 among the great sequals of all time - right up there with Godfather 2 and Star Wars Episode 2, and Blade II :-)

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The most negative review

Well... I kind of feel like giving this 10 stars based on Salvation and, especially, Genisys. I mean, in retrospect, compared to those two, it actually feels like you are watching a really good movie doesn't it?
It has a plot that actually makes sense, and, unlike Genisys, it fits into the greater Terminator story without changing everything just to, well, just to change the entire canon and story for the sake of... what? I honestly don't know.
However, when you compare it to Terminator and T2, it actually seems like you are watching a horrible movie. Nick Stahl was possibly the worst person to play John Conner they could have cast, Sarah Coner is gone (and with her the protagonist everyone loved) and Claire Danes just doesn't seem to know what she's doing in the film.
Not only that, but Stahl comes across as the worst possible leader on earth... and he's the one that is supposed to be the legend that finally beats the machines? Seriously? Him?
It might have been better if the Terminatrix was in it for more than a blink of the eye, but she kind of takes a back seat to everything else that is going on and leaves us wondering why they even added her into the movie.
Ultimately, it's not a good film. However, compared to Salvation and the typo, it comes across as a masterpiece.

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Production companies: IMF Internationale Medien und Film GmbH & Co. 3. Produktions KG, C2 Pictures, Mostow/Lieberman Productions, Intermedia, Senator International, Valhalla Motion Pictures
Production countries: Germany, United Kingdom, United States of America
Budget: $200,000,000
Revenue: $435,000,000

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Certificate:

R (Under 17 requires accompanying parent or adult guardian 21 or older. The parent/guardian is required to stay with the child under 17 through the entire movie, even if the parent gives the child/teenager permission to see the film alone. These films may contain strong profanity, graphic sexuality, nudity, strong violence, horror, gore, and strong drug use. A movie rated R for profanity often has more severe or frequent language than the PG-13 rating would permit. An R-rated movie may have more blood, gore, drug use, nudity, or graphic sexuality than a PG-13 movie would admit.)

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