'M3GAN' works for one reason and one reason only: the robot. I could honestly do without the entirety of the scenes that are predominantly about the adults, but the Model 3 Generative Android is, surprisingly, highly entertaining to watch.
The look is good, the effects are very convincing and, unexpectedly, the dialogue really adds to the character; it is lively and amusing, which can't always be said in this genre. They could've perhaps made the robot more unsettling, though it is minorly creepy once or twice.
Allison Williams, despite my lack of overt interest in the older folk, is solid in a prominent role. She looks like Amanda Peet to me in this, I even had to check it wasn't Peet; even though I knew the years/ages totally didn't work. Violet McGraw is decent. Less said about Ronny Chieng, the better.
The only thing I knew about this before watching was the dance, which isn't featured as much as I was anticipating based on how much I saw it referenced when the film came out. On similar-ish note, I enjoyed the uses of "Titanium" and "Toy Soldiers" in this.
As a big fan of the other, I second any calls for a crossover with 'Chucky'... Don Mancini's one, obviously.
'Cady" (Violet McGraw) finds herself living with her aunt "Gemma" (Alison Williams) after an altercation with a snow truck leaves her orphaned. They don't exactly hit it off. The older woman is a career-driven lady who works at a toy manufacturer, specialising in gadgets and gismos that use AI. Thing is, their market dominance is waning - much to the chagrin of boss "David" (Ronny Chiang). Competitors are catching up and the children are getting even more sophisticated/lazy/dependent! She has a plan though - with her colleagues "Cole" (Brian Jordan Alvarez) and "Tess" (Jen Van Epps), she is working on the ultimate "companion". A doll that pairs with it's owner and becomes almost sibling-like. Snag with this film is that the plot is really all rather predictable, the acting isn't up to much and I didn't find the eponymous - hideously over-dressed - creation remotely menacing. Indeed, actually, at times I found it particularly useful (the neighbour's wayward dog, for example). It's a competently strung together drama, but it's all just a little too sterile and by-the-numbers for me. It does fire a warning shot to parents who could become over-reliant on their children's own reliance on surrogate friendships and dependencies, but once that point is made - and reiterated - the rest of this is, frankly, all rather unremarkable.