Rain Man (1988)

My main man Charlie Babbitt.
It is something of a great cinematic achievement that Rain Man became the great film it clearly is because the story surrounding it is interestingly Hollywood in itself.
Four directors, six screenwriters, two cinematographers, eight producers, writers strikes, crew change, and a studio fighting for its life.
All of the above are common knowledge but it doesn't hurt to remember these facts when viewing the award wining triumph of a movie that stands the test of time today. The film is so simple in structure it really needed something special to pull it out of the prospective banality of being "just another road movie about finding oneself", Rain Man achieves something special by tackling its subjects with very sensitive hands and splicing a believable human concept into the story via the incredible shows from its two leading men.
Dustin Hoffman gives a magical moving performance as the Autistic Savant Raymond, the ultimate complement I can pay the performance is that it really is believable, both moving and clever rolled into one artistic result. Tom Cruise is equally as great in a role that called for drastic layer changes, a role that demanded much conviction from the actor taking it on, and Cruise gives the role much depth as he goes from shallow bastard to a very emotive and feeling human being, it's a great show that stands up to reevaluation these days. A performance that seems to have sadly been forgotten in light of Hoffman's film stealing show. With a film such as this you pray that the ending can do it justice, and I'm glad to say that there is no pandering here, it's an ending that says so much because it doesn't cop out, I thank god for those rewrites because the endings to the original scripts would have had me booting the TV set out of the window. Essential cinema. 10/10

"Charlie" (Tom Cruise) works his luxury car import business quite literally wheeling and dealing when he is told that his estranged father has died. Driving to meet the solicitor he's informed that he is to receive some perfectly grown roses, but that the $3m estate is to be left elsewhere? Where? Well he discovers that he has a brother "Raymond" (Dustin Hoffman) when he visits him at in institution that cares for autistic people. Resentful and completely unaware and uncaring of his actions, "Charlie" decides to take his new-found sibling on a trip back to LA. Not afraid of throwing the odd tantrum, "Raymond" refuses to fly with anyone but Qantas so they have to drive and it's on the road that the story develops into one that, to be honest, we could probably predict quite easily. Now there's no getting away from the fact that "Raymond" is an exasperatingly annoying character at times, but that's what gets under your skin. Whether or not Hoffman is acting or mimicking, he presents us with an highly intelligent personality with a few pieces of his cognitive jigsaw missing. "Raymond" can display the traits of a small child, but equally those of a sophisticated and complex character who absorbs more from around him than perhaps we'd expect. Cruise is also at the top of his game here. He manages his character's evolution from smart-assed and selfish "Charlie" to a rounder, more mature and responsible individual with an aplomb that certainly belies some of his previous roles. It also doesn't do any harm that his brother's genius comes in quite handy in Vegas either! It's pretty poignantly and sometimes amusingly written offering some on-the-ball observations and plausible scenarios well supported by some equally potent photography, and though not always an easy drama to watch, as it progressed I felt a little invested in whether or not this relationship had legs or was, ultimately, just about a man's desire to get hold of an inheritance.