The Living Daylights (1987)

I don't understand all the hate on Dalton as 007, I actually thought he was a decent Bond, I thought he brought back some of the cold blooded assassin that personified the first of the Connery Era films.
And I think he was a much needed change of pace away from Moore's silliness.
However, I think some of the hate comes from the change of pace away from the silliness. You get used to things and a lot of people got used to Moore.
But, then again, I was 7 when The Living Daylights came out, this was the first 007 movie I REMEMBER seeing in the theaters, and there is that special place in my heart for the cold blooded assassin style 007.
And The Living Daylights is one of the last to have all the 007 tropes in it, the smoking, the harem, the stuff that defined 007 films before they started to move away from them in the 90s.
This marks a return to the Dr. No, From Russia with Love, era of Bond, a move away from the silliness and...
... it has one of the best 007 cars, at least in my view. The Living Daylights still has the Aston Martin that I want... and, let's face it, he works with what is really the Taliban before the Taliban became the enemy of the west, when they were still fighting the Russians, and when the west was still taking their side in Afghanistan before the Soviets withdrew. So you kind of get a history lesson that really only people alive in the 80s remember.

_**Solid Bond film with Timothy Dalton taking over as 007**_
"The Living Daylights" was the first of two James Bond films featuring Timothy Dalton as 007. It's a solid Bond flick, but rarely cited when the best films of the franchise are discussed. The "problem" isn't Dalton because he makes a fine James Bond and was what the series needed in 1987 (when the film was released). Although the Roger Moore era (1973-1985) is my favorite stretch of the franchise, mainly because they're so all-around entertaining, Roger was just too old in 1987 to continue in the role (he was 60 years-old). Plus I think everyone was craving a more serious Bond by 1987 and Dalton delivers the goods.
There’s a lot of good in "The Living Daylights." It features a great opening sequence involving skydiving at the Rock of Gibraltar followed by a Jeep-going-down-the-mountain segment. The events switch to Bratislava, Slovakia (but shot in Vienna, Austria) where everything slows down to dramatic intrigue. A short while later there's a cool winter chase episode with Bond and his romantic interest (Maryam d'Abo) in a car with skis (also shot in Austria).
The action-packed last act takes place in Afghanistan (but shot in Morocco and the Mojave Desert). This part of the movie increases in suspense as James and his babe try to get out of the country on a cargo plane, and the film still doesn't end at that point. This climax features three or four excellent suspense scenes and some funny quips as well.
Unfortunately, the film is weak in the area of women. D'Abo is decent in a doe-eyed, winsome way, but her presence is never really capitalized on; she looks good in slacks though. Other than her, there are only brief flashes of women with no one particularly standing out, except maybe a blonde in white shorts.
The cast also includes Joe Don Baker, Jeroen Krabbé, John Rhys-Davies and Andreas Wisniewski, mostly villains or possible villains.
BOTTOM LINE: Although "The Living Daylights" is not a highlight of the series, it's still a worthwhile Bond flick with the usual staples, albeit shaky in the female department. Aside from Timothy Dalton, who makes a refreshing Bond, the opening and ending sequences are the best parts.
The film runs 2 hours, 10 minutes.
GRADE: B-