Tomorrow Never Dies (1997)

There is some hate on this one, but, honestly, it's one of my favorites and certainly my favorite Brosnan 007.
We get a lackluster opening (as far as 007 openings go) but that is followed by a theme song by Crow who, well, she nailed it didn't she? Tomorrow Never Dies sounded like the jazzy intro to a Connery Era 007 didn't it? It was probably the best Bond song since The Spy Who Loved Me.
Brosnan is a little more cold blooded in this, you catch glimpses of 007 being Connery/Dalton/Flemming Era 007 again. He doesn't shy away from executions with a cunning quip.
But, honestly, it's Michelle Yeoh's Wai Lin that really puts it over-the-top and makes it the best of the Dalton Era 007's. He has met his match with this Chinese counterpart who, and he has certainly done it before, but this time she comes across as clearly being as good as Bond himself. And that was a delight.
And then the plot, media manipulation, probably far more relevant in 2020 than it was in 1997, but watching it now rings true as completely believable ala Spanish American War this has happened before, but this time it could go nuclear sort of story.
All in all, it is one of the best 007 films ever made.

An ordinary 007 film.
Which still puts it in a better light than about ten others.
Unfortunately, this one is very "formula". A mogul wants to take over the way the media of the world works, and that's a bit of a foreshadowing of today, but it also makes it perhaps the most "dated" Bond movie ever made, because the media today is a mess of hob goblins that act like chickens with their heads cut off.
For the sake of the movie, though, everything is typical Bond, with evil assassins wanting to kill James Bond, only this time the stereotypical assassin is also out for revenge.
The action is good. Bond is still likable and is an "okay guy" so to speak. It works.
It's just a bit ordinary. I doubt there will be much you remember about this one.