In a world where toys come to life, Capybara, the wise and calm leader of the plushies, and Labubu, the mischievous creature of chaos, face off in an epic competition for control of the Heart of Fun, a magical artifact that can change the rules of their universe. In an adventure filled with humor, obstacles, and unexpected twists, both will discover that order and chaos can coexist. Capybara vs Labubu is a fun and exciting battle that will show how opposites not only attract but also complement each other.
4th February 1975. It's the first day of the historic actors strike that would bring the country's theatre activity to a halt for nine days. They demand one day off a week. What started out as a demand develops into political challenge. Concha Velasco, Ana Belén, Tina Sainz, Juan Diego and José Sacristán are some of the artists who risked their careers and their freedom. This is the story, narrated by its protagonists, as it has never been told before.
A corpse appears in the underground tunnels of a house, or perhaps they're the dark corridors of the subway. The dead man doesn't speak, yet stories are woven around him. Just like in a novel, the characters create their own fiction, a story to tell to children, to society, or a way to imagine the missing passages of recent Argentine history. Félix the pool attendant and Kike the subway employee, both writers, take us, not without humor, to a narrative beyond the daily life: What remains to be resolved? How do you clean a pool full of frogs? Who is the dead man in the trunk? Is he one of the many people who disappeared during the dictatorship?
Madrid, 1980. When Sole sees Nano come in, bloody and beaten, she already knows what to do. In an improvised infirmary, she tries to mend his son’s wounds. But Nano is getting old, and his body doesn’t heal like it used to. At his mother’s pleas, Nano offers a deal: he will retire from boxing if she, for the first time, watches one of his fights.
Seville, 1968. Honorio, Rafa, and Vicente are about to turn 20 and dream of escaping their routine. After watching a NO-DO newsreel about the tourism boom on the Costa del Sol and its air of freedom, they decide to travel to Torremolinos to change their lives and, above all, lose their virginity with Swedish women. Armed with the necessary excuses and a loaded Seat 600, they embark on a journey that will challenge everything they thought they knew until then.
Carlos parks in reverse, as fast as he can. He gets out of the car carrying a bag, opens the door of a house with his keys, but doesn’t go in. He locks it and rings the doorbell. Once, twice. Until a 15-year-old boy appears. Together they will do what neither of them want to do: bury the family dog.
The childhood memories of writer Martín Kohan are intertwined with the unreleased archive from the Channel 9 newscast between 1973 and 1980. Through this, a key period of Argentine history is reconstructed, exploring the relationship between personal memory and the public discourse of the time
After receiving a significant settlement following a workplace accident, Pablo decides to invest all the money he had promised to use for building a new life with his girlfriend, Victoria, into a business he knows little about. Together, they must deal with the consequences of this impulsive decision.
When Dario Roitman returns from the U.S. to Argentina for a family wedding and Bat Mitzvah, he anticipates the usual family drama. But his carefully laid plans for a family reunion are suddenly upended when he learns, just hours before his flight, that his father has passed away. As the Roitmans gather for the funeral, old wounds resurface and longstanding tensions reach a boiling point. Despite the emotional turmoil, Dario remains determined to celebrate both the wedding and Bat Mitzvah, even if it means challenging tradition and risking further discord. Navigating grief, sibling rivalry, and delightfully eccentric grudges, the Roitmans reveal the messy yet enduring love of family.
Journeying through the interior landscapes of a Jornalero’s dreams, his waking reality in Los Angeles, and what it looks like when a group of people relegated to serving others labors for their own elevation of body and spirit.
At 35, Laura leads a monotonous life between work, caring for her father,and an unstable relationship.Everything changes when a former colleague offers her the chance to revive a tech project. She decides to try, prioritizing herself for the first time in a long time, but her choices shake her world.
Edgardo Marranti paints guided by beings from other dimensions. When he started, his family and friends thought he was crazy, and so did he. In search of answers, he embarked on a path of self-knowledge that confirmed his experiences. Today his mission is clear: to paint.
Genealogy, uncomfortable questions and reams of archival material are Tavares-Abel’s tools in discovering the political truths of her family and the Dominican Republic. Election fraud and dictatorship are frighteningly topical. Activism suggests itself.