Renata seeks refuge in the house of Virginia, her sister. Virginia lives a quiet life with her son Lucio in a provincial city and the only thing that seems to worry her are the ants that have invaded her home. Renata has nowhere to go. Virginia wants to help her and receives her; But the days pass and the drama of daily life begins to reveal the link between them, the pain of recognizing and rediscovering each other in a past that returns and takes strange forms.
When Mara, a social worker at a drug consumption room, meets the heroin addict Ole, the boundaries between work and friendship between to blur. Now she is faced with the question of whether she can handle the job or if her friendship with Ole will get in the way.
After the death of their mother, sisters Alma and Paz have to consider parting with their childhood home. For Paz, who arrives back from the city to make arrangements for selling the property, it seems clearer. For the younger Alma, the plantation in the Mexican countryside is full of memories. A story told in warm pictures about parting, origins and growing up.
The story revolves around Joao, a boy from a jungle village, who must brutally become a soldier when Estanislao, a psychically altered commander, takes away his childhood and shows him just how far human cruelty can go.
Nico receives a letter from his mother on his birthday, which turns the day into a gymkhana to get his gift. He will have to climb the highest mountain of dust, duel with the baker's son until finally facing the toughest test: realizing that this is his last day as a child.
A few days before the fight for the Muay Thay european title, Lydia must face an unexpected dilemma that will make her make a choice that will force her to fight her worst rival yet - herself.
Three objects are used in a manner in which they weren't supposed to be. Something unprecedented happens: armed with a voice and conscience, these objects will reflect on the absurd arguments that support domestic violence.
Graciela receives a letter informing her that her husband Fidel has been released after six years in prison. She has waited for him all that time. They finally meet again.
An apathetic teenager is dropped off on the outskirts of town to work on a project with the school outcast. The two boys form an unlikely connection, but not without consequences.
Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.
Mariana, 15, escapes the violence of her home in Santa Fe. She embarks on a search for her biological father and takes refuge in an orphanage where she finds affection from a distant relative. On his journey through the interior of the province, he discovers its inner strength.
Conflict - without dialogue An old priest of a small church in Düsseldorf lives a quiet life, which spirals out of control after a soul-shaking encounter with a murderer and god.
When teenager Margaux bonds with seven year old Juliette and a local fisherman, her summer holidays turn upside down. An unusual friendship, where Margaux experiences tenderness and play and discovers a new way to understand herself.