Tanit, Valeria and Shaila are three women from very different parts of the world who face the same problem: climate change. They will lose everything because of global warming effects and they will be forced to emigrate to survive.
In a desperate attempt to overcome the grief caused by his girlfriend’s passing, Damian sets off on a journey across Mexico. Haunted by memories and regrets, he finds solace through conversations with strangers, witnessing the rituals they participate in to cope with death.
A renewed and truthful vision of how Spanish America was born and prospered, an epic story developed over more than three hundred years, that of those who bequeathed to humanity an immense architectural, sculptural, pictorial, literary and musical heritage.
After 50 years in theatre, film and television, Carme Elias is diagnosed with Alzheimer's Disease. Together with Claudia Pinto, a director and friend, they decide to record her last conscious voyage. The characters played by Carme accompany this difficult period, while the borders between fiction and reality disappear. While You're Still You is a constant game of mirrors, a pact of love and friendship.
In the heart of the Peruvian Amazon, Saor, a young androgynous Indian, carries a coffin. He is taking Valentina, his lover, back to her native village to bury her. When Valentina left this village years ago, before becoming a transgender singer in a faraway city, people here knew her as Pol. Valentina's past and death remain an enigma. Yet bit by bit, through his encounters with the people of the village, Saor begins to perceive what connected them to Pol. Sensitive to the world around him, Saor, like a Shaman, enters their memories. Saor starts to understand that, like all homosexuals persecuted by Shining Path terrorists, Pol lived in terror. In the village cemetery, between rage and bitterness, Saor attends the burial of Valentina's body. A ceremony that is both a burial and an exhumation.
The differences of origin and poetics between José Martínez Suárez and Manuel Antin, representatives of the cinema of the ‘60s’ Generation, are proof of the heterogeneity of the period and, at the same time, share the creation of a renovating and personal aesthetic that observes reality with a critical eye.
Isolated on an island, an elderly woman embraces freedom by open-sea swimming with sea lions, while a champion swimmer tests her endurance in the world’s iciest of waters. Stunning cinematography captures their pristine but charged aquatic landscapes, which are both tender and brutal.
Miguel is a renowned taxidermist and an expert hunter. He is always visited by clients seeking to naturalize pets and exotic animals. Through his work, Miguel will make us reflect on how we relate to other species.
The writer Abelardo Castillo talks about the meaning of writing about the 70s, about newspapers, magazines and literary workshops, and about Sylvia, his wife. As in Blixen's story of the stork, he completes the drawing of his life.
Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.
Facing cultural genocide, a group of Indigenous women from Peru file a groundbreaking lawsuit demanding the government recognize the Marañón River, which flows into the Amazon, as a person with rights in order to protect the world of powerful spirits led by the Karuara (people of the river).
"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
The main character looks for a lost dog. An existential wandering through the streets of a working-class neighbourhood in Chile as a free, musical gesture. An ode to stray dogs.
Nicolás Molina’s visually astounding Pirópolis drops the viewer in the fiery port city of Valparaíso, Chile and observes a pack of determined volunteer firefighters as they band together to combat turbulent wildfires ravaging the city.
After the death of a ‘90s’ soap opera supporting actor, a witch announces an inheritance to his daughter. Soap operas and real life intertwine in the search for an enigmatic letter that will tell great truths.
Dismantling the home of some who is no longer here is an act of love, of memory, of mourning. July passed away recently; the camera moves around her apartment and is placed on a series of objects that act as keys to open the door to her intimacy. The voices of those who have loved her guide us while they try to prolong the farewell. In the memories they evoke, to some people July is still Julio, and those names and pronouns that blend reveal the difficulties of embracing one’s identity as a trans woman. During the journey, July’s figure is slowly brought to life, as in an invocation, called on through words, but mainly through her spaces, her things, her photographs, her wigs, her clothes, her favorite music. And a biography is weaved together, one which, like that mirror that still hangs on her wall, reflects the history of an entire community.
Lorena, Federico and Sergio are siblings who perform a play in which they evoke their dead father's printing workshop, a place to which they cannot return. With the arrival of the pandemic, they can no longer perform either, and have to invent another way to continue telling their family story.
CinePops US / International 
CinePops Spain 
CinePops France 
CinePops Italy 
CinePops România 
CinePops India