The history of the Kunsthaus Zürich, from its opening in 1910 to the present day. It is marked by countless exciting, sometimes dramatic, sometimes amusing and bizarre episodes. Among them are repeated public socio-political disputes, such as the controversy surrounding the establishment of the Zurich Giacometti Foundation in the 1960s or, more recently, the debate about the Emil G. Bührle Collection. Legendary exhibitions have contributed to the international reputation of the museum, including the world's first museum exhibition of Picasso in 1932.
The film follows the new ski brand VAN DEER-Red Bull on its journey through the first World Cup season. Exciting races, sensational victories and unforgettable moments. And right in the middle of it all is alpine ski racing legend Marcel Hirscher.
"Niki's Music Shop" - a music shop that refuses to arrive in the present. For many years musician Tom Blankenberg has been passing by the shop regularly, and he is fascinated by the fact that absolutely nothing ever changes here. The collection of old instruments in the shop window has remained untouched for decades. And above all, the shop is always closed. When Blankenberg sets out to find out what's behind it, the shop is suddenly open...
Above the home of the director's grandparents in Italy there’s an apartment that has been started to be built. (If there was a window right here, you would be able to see the sea). What would have happened if the director had grown up there instead of in Switzerland? The director deals with their own South Italian roots, being queer, longings and losses.
Filmmaker Dschamila Lea Hirsiger talks to her biological mother and her foster mother about her being put into foster care as a child. She investigates how this measure shaped her relationship with the two women and which of the two is actually her "real" mother. There are no easy answers.
How has the life of European Union citizens changed since the Maastricht Treaty came into force thirty years ago, on 1 November 1993? Documentary filmmaker, David Holland, born the same year as Maastricht travels the length and breadth of the continent by rail to find out.
Finding parallels between a multi-generational, queer housing project and the study of old-growth forests, the film testifies to the ecological importance of diversity and care.
Forty-six years after its completion, the International Trade Fair Complex in Lagos, Nigeria, lies waterlogged and in disrepair, its modernist concrete pavilions flooded and overgrown with vegetation, and its shopping stalls and convention centers now serve as makeshift workshops, bike repair stalls, and playgrounds. Shooting in a soft-edged standard-definition video, Komljen observes the complex’s grounds with equanimity and warmth, marking both its history as a former utopian project and its present-day vernacular uses.
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