One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become ? And why didn't anyone mention his name anymore?
Tiziano is a little boy almost like the others, who grows up between the demonstrations in Chile, the history of his family and the innocence of his age.
Explores the Pyramids of Giza as Egyptologists try to unravel the mysteries and decipher the clues behind these stone giants built over 4,500 years ago.
Stage actress turned film actress and director, Nicole Garcia has worked with the greatest French directors. Mysterious, singular, elegant, she has become a major figure in French cinema, but in her forties, she wanted to tell her own stories. She took a big risk when she was being offered fewer roles as an actress and became a film director.
A broken phone and the digital memory of a broken relationship. Both fragile, both recomposed to reveal the fragments of a first love that seems to fade away. Through the careful manipulation of discarnate metal components and the director's attentive look on a found intimate archive, a parallel movement of lingering and resistance to the ephemeral. A playful reflection on what remains.
In 1987, Marcel Béliveau appeared on French TV show 'Surprise Sur Prises' and opened the doors of France to his fellow Québec comedians. Anthony Kavanagh, Michel Courtemanche, Stéphane Rousseau, Véronique Dicaire, Rachid Badouri and Sugar Sammy have all successfully tried their hand at French comedy, and the next generation of comedians is assured with Mariana Maza, Reda Saoui and Virginie Fortin. This documentary, commented by Québec and French personalities, retraces their history through hilarious sketches, cult parodies, TV and radio shows and happenings.
Paris, 2019. Notre-Dame is burning down under the eyes of a stunned crowd. Using images filmed on the spot, Alice Brygo reconstructs the scene through photogrammetry and sound work, highlighting the behaviour of the crowd. A disconcerting immersive experience that lays bare the social tensions and apocalyptic scope of the event.
A woman wakes up with the urge to film blood. In Paris, her city, she meets a blood conveyor, a transplant doctor, a chimaera… And she remembers a trial she followed a long time ago: the contaminated blood trial. Yamina Zoutat has constructed a moving quest about transmission, drawing on the hidden matter from which our bodies are made.
Philip, Lynn, Hussein and Shammy, young LGBT Ugandans, are fighting for survival. Staying in their country, where religious oppressions and discriminations prevail, endangers their lives. Then, their latest hope is to leave it all behind and experience a long and painful exile.
I am Chance follows the microcosm of a group of street savvy girls in the surprisingly bright, pop and artistic megacity of Kinshasa. Astute, sassy and resilient, Chancelvie and her friends take on the world, fighting and nurturing, stealing and sharing, turning tricks and making art. Vibrant and exuberant, Kinshasa itself becomes a character in the film, combining its voice with that of the girls.
In this endless pandemic area, where our sexuality has sometimes had to evolve, has been tested, women from different backgrounds offer their intimate testimonies, addressing their desires and pleasures alone.
Lesson of April 14, 1978 (class #1) Films discussed: Fallen Angel (Otto Preminger, 1945), Breathless (Jean-Luc Godard, 1958). In the vaults of Concordia University's Visual Collections Repository department slept some 30 ½-inch black-and-white video open reels. They contained Jean-Luc Godard's 14 lessons, spread out from April 14, 1978 to October 21, 1978. The sessions consisted of long and brilliant series of digressions (often uninterrupted), initiated by questions from the audience or from Serge Losique. There are dazzling reflections on editing, economics, actors and actresses, war, political commitment, the media, and we witness the setting in motion of a unique thought.
In a retirement home in a small village in the south of France, residents try to build a community. What ties can they still manage to forge in this anonymous environment often perceived as hostile?
The world is alive, but maybe without mirrors and images, none of it would exist. The blind create images in a different way – with sounds, textures and experiences. When you enter the rabbit hole, imagination plays the main part.
A pioneering post-war female film director, an instigator of the New Wave who was honored by Hollywood in her own lifetime, Agnès Varda has become a source of inspiration for a whole new generation of young filmmakers. With movies like Cléo de 5 à 7, Le Bonheur, Sans toit ni loi, Les Glaneurs et la glaneuse, she created a quirky, open to the world, sensitive to the disenfranchised, often silly body of work. Always one finger on the pulse, she shook everything up, including cinema itself which she refused to constrict to pure fiction or long-form films.
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