My grandfather was killed at the beginning of the war in Colombia, after that fact several men in the family have chosen weapons. Like my cousin´s son that was injured in combat by the paramilitary, whom was recruted with only 15 years of age. My father managed to build a different life for himself. That is the hope that I wish illuminates my son Matías and all of us, the sons and daughters of war.
The documentary is a kind of master class on the pioneer of Basque-language films and the founder of Lekeitio’s Euskal Zine Bilera. Benito Ansola talks to J. J. Bakedano about the secrets of his major productions. In the space of 20 years he produced some twenty films, including documentaries and fiction shorts.
When Gabriela finds out that Zoila, the Mapuche nanny from her childhood, does not appear in the family tapes, she begins to inquire about the maternal relationship that unites them.
Faced with the death of a comrade, the workers of Line 60 look for lessons in past struggles in order to confront the boss once again. Santiago, one of them, reviews in his chronicles the pages of the last triumph in order to write his story: that of a collective of combative workers.
After two seasons of flirting with relegation, Atlético de Madrid started the 95/96 season with Radomir Antić as new coach and a limited investment in signings, some of them completely unknown to Spanish fans. With this background, the red and white club joined the small club of the chosen few, those who have won the two most important titles in Spanish football in the same season.
The Mejia family emigrated from Oaxaca to Fresno, California 40 years ago. Filmmaker Trisha ZIff filmed the family in 1996, and returns now to see the changes that have settled over them, and follows the family on their return to Mexico.
A couple builds a space to live. When it is finished, before inhabiting it, they invite a group of people to visit it. The invited people circulate individually through this new and empty space. They look, they walk, they talk. The film tries to rescue the effect of that experience in each one of them. So the space itself becomes an experience. What will they leave of themselves? What will they take? What will they show of the human? What is a house? What do you do with the past? The series of people who briefly inhabit that place, recently built, still free of all traces, could be thought of as infinite. The space fills and empties. The residual of that transit remains: a luminous fragility.
At day Jorge, at night Erica. At the dawn of the new changes that cross the country, Jorge / Erica talks about him/her self, his relationship with his/her body, his family and the society that surrounds him in San Antonio de los Banos, a small town near Havana, Cuba
Apichatpong Weerasethakul, Pedro Costa, Manoel de Oliveira y and the film's director, with their own personal views, share that thin line that links life with cinema.
Responsible for the deaths of a former carabineros colonel and Senator Jaime Guzmán, Ricardo Palma was serving his life sentence until 1996 when he escaped from the country's maximum security prison, becoming Chile's most wanted fugitive for more than 20 years, until February 2018 when Interpol agents arrested him in Paris.
Photographer Patricio Guzmán Campos has died in exile. Silvia edited his retrospective book a few years ago and after learning about Patricio's death, she sits down to read again the letters he sent her, in which he reveals the feelings and reflections provoked by facing his photography during the process of making the book, where he sees a place that has been taken away from him, but which he tries to hold on to through his memories.
At 84 years of age, Rosa realizes that she no longer has the strength to take care of her daughter Eva who has Down syndrome, and she struggles to decide whether or not to put her into a care home. In this intimate portrait, we follow Rosa’s pain of indecision and her unique way of coping.
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