> So this guy in the red suit came and broke some records...
I was not a Deadpool fan and I'm still not, but like any superhero films I'd pleasure watching it. The other reason was, we had other superheroes in our time, so this guy is kind of new to me. It was a stunning launch to the big screen for the Deadpool as well as for this new director. This film was merely an introduction tale than a fully stretched story. Like how a human becomes a mutant and later who seeks a revenge for ruining his natural life. But it yet to explain a couple of things and I hope it all will be revealed in its sequel.
I am happy for Ryan Reynolds to get another chance, because his previous comic book character did not received well. I certainly liked the film, but nowadays there are plenty of superheroes to choose, in that, Deadpool's not in my top 5. So I am happy he joined the 'X-Men', because I never liked the boring 'X-Men' films or its characters, but I do love its spinoff 'Wolverine'. I'll definitely look forward for his solo films like 'Wolverine'.
This film broke a few records like the best box office so far for an 'X-Men' installment. A short film with the present and flashback narration shared the screen piece by piece alternatively. This was a strong R rated film so far I have seen in a superhero theme and there were plenty of other films referred. No offense to the people who liked it (and those who are going watch will do the same), but in my personal opinion it was a bit over-celebrated.
6½/10

I actually enjoyed the movie so much that i'll recommend it to all my friends, at first i didn't really want to watch it because i'm not into super hero movies at all, but i did anyway, i mean people were talking so much about it i had to see it myself and what an awesome choice i made. The good thing about this movie is that Deadpool is a hero but in a very comedic way, you don't usually expect comedy from a superhero film but this one was full of comedy and the way they treated the plot was amazing, it was there, humor was there in every scene, even when there was fighting or romance or any other scene, the writers managed to add comedy everywhere in a very good way that'll surprisingly make you want to watch it again, and again. Thank you for taking the time read my review and if you're asking yourself if you should watch this movie, it's a definite Yes.

A funny movie with a romantic love story.
Wade Wilson (Ryan Reynolds) is a former Special Forces operative who now works as a mercenary. His world comes crashing down when evil scientist Ajax (Ed Skrein) tortures, disfigures and transforms him into Deadpool.
The rogue experiment leaves Deadpool with accelerated healing powers and a twisted sense of humor. With help from mutant allies Colossus and Negasonic Teenage Warhead (Brianna Hildebrand), Deadpool uses his new skills to hunt down the man who nearly destroyed his life.

This is another of these films for which I didn't get the memo. It undoubtedly has parallels with the ecological ravaging of Earth by mankind, but for the most part it is just a fairly standard action romance that owes much of it's significance to it being an outstanding technical production. Sam Worthington is "Jake", a paraplegic solider who is tasked with assisting on a mission on a distant planet. By way of a bribe, the authorities offer him surgery to restore his mobility if he uses an avatar machine to infiltrate the folks inhabiting the planet "Pandora". The more he explores this bright new world, the more he begins to integrate with the people and their beautiful and colourful environment. His affection for "Neytiri" (Zoe Saldana) and his gradually developing appreciation of just what his mission is about, sets him up for a serious conflict with the gung-ho militaristic "Quaritch" (Stephen Lang). This film is all about corporate greed and an horrendous disregard not just for nature, but for an indigenous population that is though frequently touching, let down by a really mediocre cast, some slightly pontificating dialogue and yes, it is really too long. It is great to look at, the standards of the production mixing reality with animation are outstanding; it's just that the story is just all a bit lightweight.

Technically its a very good film

**Excellent!!! **

Rewatching Avatar confirmed my love for Pandora. Exquisite world-building by James Cameron, memorable score by James Horner & jaw-dropping, innovative visuals that complement wonderful storytelling.
How can people not remember these characters?! Super excited about tomorrow's IMAX screening of Avatar: The Way of Water!

It's cinema Jim, but not as we know it.
So here it is then, what has been in gestation in James Cameron's mind for over 12 years finally hit the silver screen towards the back end of 2009. Made for gazillions amount of cash, Avatar went on to make a billion trillion in Worldwide receipts-and this before the rush rush release of DVD/BLU RAY sales are factored into the equation. The film, and all its technical wizardry, is quite simply a gargantuan piece of cinematic history. Released in 2d and 3d, and probably some other format that I'm forgetting, every advanced tool of the trade has been utilised by Cameron and his team to create what is now the ultimate popcorn blockbuster. Shame then, that away from the visual extravaganza the film is as shallow as this review will ultimately end up being.
No doubt about it, this is a joy for the eyes and ears, the minuscule details are wonderful and the colour positively pings from every frame. But in the eagerness to create such splendour they forgot to put any substance into the writing. This is plot simplicity. And even its messages, as Cameron smugly preaches his sermon from the pulpit, now seem old hat. Do we really need another boink over the head about eco invasion? Or a curt reminder of American infiltration into some land where motives are suspicious at best? No we don't really do we? Worse still is some of the dialogue, which quite frankly could have come from some playground encounter as the kiddies play kiss chase or bang bang your dead army. There's also a sense of familiarity with other better scripted film's, Dances *cough* With *cough* Wolves *cough* It's as if Cameron just knew that narrative structure wasn't as important as having the expensive gimmicks. He's like a modern day William Castle-only with considerably more readies at his disposal.
The cast are OK, Zoe Saldana puts a sexy feistiness to her blue alien Neytiri, Sam Worthington keeps the humanistic elements just about above water, while Sigourney Weaver is as ever the consummate professional. But ironically, in a film shimmering bright in 2d & 3d, the characters are all one dimensional. None more so than Stephen "The Party Crasher" Lang's Colonel. A man so gruff and gung-ho menacing he really ought to be in Sly Stallone's upcoming testo movie The Expendables. Nominated for nine Academy Awards, including Best Picture and Best Director, it won three, for Best Cinematography, Best Visual Effects, and Best Art Direction. Those were richly deserved. They also tell us all we need to now about Cameron's Behemoth. 5/10

Avatar is an overwhelming, immersive spectacle. The state-of-the-art 3D technology draws us in, but it is the vivid weirdness of Cameron's luridly imagined tropical other world that keeps us fascinated. I like this film and I have written many review for essay writing service. The special effects are so good here that you don't even notice them. It is eerie how Cameron has made it look and feel like he is just pointing a camera at the action.

The Dark Knight (2008), directed by Christopher Nolan, isn’t just another superhero film—it’s a gripping piece of cinema that balances action, emotion, and a deep exploration of morality and chaos. It’s the kind of movie that lingers with you, not because of its spectacle, but because of the questions it asks and the unforgettable performances it delivers. Chief among those is Heath Ledger’s Joker, a portrayal that reshaped how we see villains.
Ledger’s performance as the Joker is nothing short of extraordinary. He’s chaotic and unpredictable, yet his presence is magnetic—every moment he’s on screen feels alive with tension. From his unsettling voice to his haunting laugh, he created a character that’s terrifyingly human yet larger than life. Ledger didn’t just act the part; he became the Joker, and it’s a performance that still sends chills down your spine. It’s no wonder he was awarded a posthumous Oscar—this wasn’t just a role; it was a transformation.
Christian Bale continues to bring depth to Bruce Wayne, exploring his inner conflict and the weight of his decisions as Gotham’s protector. Aaron Eckhart as Harvey Dent adds a tragic layer to the story, showing how even the noblest intentions can be corrupted. Gary Oldman, Michael Caine, and Morgan Freeman bring warmth and stability to a world teetering on the edge of chaos.
What really sets The Dark Knight apart, though, is Nolan’s storytelling. He doesn’t just focus on action—though the film has some of the most intense sequences you’ll see—but on creating a story that makes you think. The way it explores the fragile balance between order and chaos, the cost of heroism, and the power of fear, makes it a deeply compelling watch. Add to that the breathtaking visuals and Hans Zimmer’s score, which pulses with urgency, and you’ve got a film that’s as thrilling as it is thought-provoking.
Here’s a fun tidbit: Ledger’s iconic scene where he claps in the jail cell was entirely unscripted. It’s one of those moments that perfectly captures the Joker’s unsettling genius, and it’s all thanks to Ledger’s improvisation.
The Dark Knight is a film that deserves all the praise it gets. It’s intense, thoughtful, and unforgettable, with Heath Ledger delivering one of the most iconic performances of all time. If you haven’t seen it yet—or even if you have—it’s a movie that’s always worth revisiting.

I'm deeply in romantical love with the joker. this movie made my delusions worse

If I can hold my pee for a whole two and a half hours rewatching a film I’ve already seen then I love it.

I enjoyed watching the Dark Knight. They were at least able to keep the same batman from the the last one made too.

Even worse than Tim Burton's Batman, although obviously copying the neo Nazi ideology of "kill all the brunettes you can in a movie".
This is so predictable and so poorly written that it boggles the mind. Yet there is a fan base of what can only be described as neo Nazis. I guess those fans were poor cuckolds who got jilted by too many brunettes at a young age, and they couldn't get over it.
That's about the entire story here. Oh, the Joker kills anything he sees. Whoopee. And he's invulnerable. And he's a demigod who can only be beaten by another demigod.
So, we've got traditional mundane Greek heroes and villains here, just like most Hollywood movies.
Unfortunately, the fans of these traditional Hollywood movies are the loudest people on Earth, and the biggest control freaks. It's ridiculous to believe there are actually this big a percentage of fans for this kind of depressing Hollywood formula movie making, but if you look at Imdb's top 250, you see such movies make up over half of the top 250. Are they voted up because control freaks vote more than non control freaks? Or are they voted up because control freaks use many fake user names? Probably both, which explains why over half of the top 250 are nothing more than Greek traditional idolizations of control freaks.
Oh, and Batman turns totally gay, which would be okay if he'd admit it, but he's given the choice of saving a man from death or a hot woman from death, and he chooses to save the man. This isn't any real Batman. It's just another contrived story line for the Nolan Nazi merit badge. They are not even subtle. They bang you over the head with their worship of Adolf and Eva.
God help the world if this garbage still has a fan base fifty years from now. But it could happen. We may have drug addicts and meth heads around for even longer than that, praising the hate and feeding the hate. It would be nice if someone made a real Batman movie with a real story line involving some degree of motivation.

**Overall : A cinematic marvel and once-in-a-decade masterpiece.**
This isn't simply a superhero movie or a Christopher Nolan film. The Dark Knight is a masterpiece. A perfect film. An epic scale with magnificent action pieces, oscar-winning performances, incredible writing, excellent pacing, dazzling special effects, and the list goes on and on, including the set design, costumes, and more. But, Christopher Nolan did more than make the greatest superhero movie of all time. He made one of the greatest movies of all time! All this is elevated further by Heath Ledger's once-in-a-lifetime portrayal of the Joker. Ledger was born for this role with a performance in league with Anthony Hopkins' Hannibal Lecter or Val Kilmer's Doc Holliday.

Heath Ledger is outstanding in this follow up to the 2006 "Batman Begins" outing for the caped crusader. His portrayal of the malevolent "Joker' is confident and highly entertaining, treading a fine line between supreme intellect and total insanity with considerable aplomb. He comes back to terrorise "Gotham" after "Batman" (Christian Bale), "Gordon" (Gary Oldman) - now Commissioner in charge of the police force, and newly installed District Attorney "Dent" (Aaron Eckhart) had made progress getting the criminals off the street. The "Joker", meantime, decides that the best strategy is to rob the mob - and pitching them all against each other, and with the help of the duplicitous "Lau" (Chin Han) manages to secure enough of their funds to initiate a campaign of lawlessness that is ruthless, manipulative and good fun to watch. Not only has the man in black his new, potent, nemesis to deal with - but he also begins to realise that his childhood sweetheart "Rachel" (this time Maggie Gyllenhaal) is drifting into the arms of the new DA. it is also pretty clear that they are both now proving to be an useful additional weapon in the armoury of his enemy who knows, increasingly, which buttons to press to cause maximum anxiety among those who would bring him down. It's over 2½ hours long, but really does fly by as the quickly paced action really does kick in right from the start. The story is dark and gritty but the pace isn't ponderous and moody - Ledger exudes a sense of peril throughout the whole thing, but that has an edge to it - a sophistication that plays well against the flawed superhero who is increasingly having to identify and cope with his own demons. Sir Michael Caine pops up now and again as his shrewd butler "Alfred", always striving to keep his boss on the right side of sanity, and Morgan Freeman continues to feature (sparingly) and his quartermaster. On that latter front, there are loads of new gadgets that still have that element of plausibility to them (no super-powers!). On balance I think I still preferred the first film, but as sequels go - this takes, and will take, some beating. On a big screen in a packed cinema, it's just a great experience.

Unforgettable crime film with good dialogue, thrilling action and chase scenes and once again a magnificent cast (most notably a terrifically terrifying Ledger) and superb score.
10/10

A sickening, borderline fascist film that is simultaneously dull and harmful. The editing represents that of an anti-pirate commercial and the politics are beyond reprehensible. The film ends with a monologue about how violent law-enforcement and brutality is what the country needs, but does not deserve. Nolan clearly did not intend for any subtext, yet that is not an excuse, if anything, that makes it worse. He includes these scenes to make the film more dark and edgy, yet there are people, from suppressed countries, who have to live through the hardships of violence from law-enforcers and dictatorship every day, and in his obliviousness, Nolan thinks that using this in a superhero film is a good excuse for self-importance. He is a war profiteer, and exploiter, and this is nothing short of disgusting.

A Masterpiece!!! I Love how The Dark Knight shows to me the "Dark & Gritty Tone". Overall, Nolan give us the Game changing, best superhero film OF ALL TIME. For me it's 10/10

One of the best movies of all time. Christopher Nolan has brought us the Batman trilogy that it made it feel it could happen today. Christian Bale returns as Batman, was able to perform as wonderfully as he did in Batman Begins. The one person that ultimately stole the show had to be the late Heath Ledger who played as the Joker. His performance as a psychotic clown terrorizing Gotham City was one of the best performance as a superhero villain. One of the best parts of the Joker was when he was telling his victims on how “he got his scars?”. Another great part was when he kidnapped a police officer and he was recording it while scaring the man and also giving a warning to Batman. The supporting actor and actresses did a good job of delivering the story. I was disappointed that Katie Holmes did not return as Rachael Dawes but the actress how played as her Maggie Gyllenhaal did a really good job. One of the best parts of Christopher Nolan is that in every movie of his, the cinematography would look amazing and this movie is no exception.

I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".
Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.
Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.
Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?
Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.
Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.
"The Dark Knight" gets a solid 10 of 10 stars.
I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".
Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.
Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.
Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?
Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.
Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.
"The Dark Knight" gets a solid 10 of 10 stars.
I used to leave a theatre after seeing a highly anticipated movie, specifically a sequel, and be so revved up about what I saw that I would declare that movie to be the best of a series. After each of the prequel "Star Wars" films, I rated that one the best, as good as any of the originals...for a time, until my opinion balanced out and I had a more well-rounded take. For that reason, I steer away from that mindset, and did for "Dark Knight".
Though my opinion is solidifying already after having seen a Warner Bros. screening last night, "Dark Knight" ably stands on its own with or without "Batman Begins". At a two and a half hour runtime, it's definitely an epic of a movie, but one that never runs out of gas. A delightful addition to this experience was a healthy amount of IMAX footage, which significantly adds to the feel of being on a personal, and gruesome, tour of Gotham City.
Christian Bale plays such a well rounded Batman and Bruce Wayne, qualities that none of those who have donned the cowl before him have pulled off. I still have to remember that Bale is British since he speaks with such a spot on American accent. Bale has a particular slurring lisp that serves him quite well, charmingly for Bruce Wayne and threateningly for Batman.
Countering him is the late Heath Ledger, who plays such a scary and creepy Joker that I found it impossible to NOT have chills half the time I saw him on screen. What really separates this brand of Joker from Jack Nicholson's portrayal is true unpredictability. It's obvious that, to be a good guy and think like the Joker, it really takes a toll, and it sure isn't easy. How exactly does one take him down when he's woven his harebrained plot around multiple hostages, explosives, or disappearing parlor tricks?
Initially, I was uneasy about how the character of Harvey Dent would be handled. In my mind, there was really only one faithful portrayal of him, and that could be found in the "Batman" animated series of the early 90s. As well as Tommy Lee Jones COULD have handled him in "Batman Forever", he certainly did not, though it still was a highlight of that movie. Aaron Eckhart ably assumes the mantle here, delivering a performance out of this world, easily on par with the Batman animated series.
Be it known, this caped avenger stands for the good of Gotham City that the police force and its counterparts can't represent, the good that has no jurisdiction, no procedures...and no rules, save for one. I can only hope that we've seen just the prelude to the Dark Knight's upcoming legendary battles with the worst of Gotham City's dark underside.
"The Dark Knight" gets a solid 10 of 10 stars.

Perhaps the best Batman movie of all times. I think that this Batman trilogy presents the well-known superhero history in an unexpected way with the capable to maintain on the edge of the chair all time.
**Heath Ledger** present an excellent impersonification of a psychopath.
All support roles are magnificent.
And Bruce Wayne role played by Christian Bale, shows a human being behind of the mask.

This has no competition. It is the very finest comic-book character movie ever made. Knowing the Burton, Donner and Nolan filmic adaptations of Batman and Superman exist helps me to sleep at night. They are Exhibit A of 'How to Make a Comic-Book Movie'. Nothing else has ever come even remotely close. These seven films (I include 'Superman II' because it was mostly Donner's work)--and Nolan's trilogy especially--are what I imagine a great director like Kubrick, Hitchcock or Kurosawa would have come up with, if they had ever been asked to make a Superman or Batman movie. They are the easiest for an audience to identify with because in these the scripts most approximate human emotions and the typical conundrums of the human experience--in short, are the closest, in a good way, they come to the complexities of the human condition. Peerless.

Excellent movie. Best of the trilogy. Lovely music. Nolan is a genius. So is Heath Ledger.

Inception: A Mind-Bending Masterpiece of Modern Cinema
Christopher Nolan's Visionary Dreamscape
Christopher Nolan's "Inception" (2010) stands as a testament to the power of original storytelling in modern cinema. This science fiction thriller takes viewers on a mesmerizing journey through the intricate landscapes of the human mind, exploring the nature of reality, dreams, and the subconscious. With its multi-layered narrative and stunning visual effects, "Inception" challenges audiences to question the very fabric of their perception, solidifying Nolan's reputation as one of the most innovative filmmakers of our time.
Plot and Concept: Dreams Within Dreams
At its core, "Inception" follows Dom Cobb (Leonardo DiCaprio), a skilled extractor who can infiltrate people's dreams to steal information. Cobb is offered a chance at redemption and a way back to his children through one last job: planting an idea in someone's mind, a process known as inception. This seemingly impossible task involves creating a dream within a dream within a dream, pushing the boundaries of what's possible in both the dream world and filmmaking itself. The intricate plot weaves together elements of heist movies, psychological thrillers, and mind-bending science fiction, creating a narrative tapestry that is as complex as it is captivating.
Performances and Characters: A Dream Team
DiCaprio delivers a powerful performance as the tormented Cobb, haunted by the memory of his wife Mal (Marion Cotillard). The supporting cast, including Joseph Gordon-Levitt, Ellen Page, Tom Hardy, and Cillian Murphy, bring depth and nuance to their roles, each contributing significantly to the film's emotional core and intricate plot mechanics. Cotillard's portrayal of Mal is particularly noteworthy, embodying both allure and danger as a projection of Cobb's guilt-ridden subconscious. The ensemble cast's chemistry and individual performances elevate the film, grounding its high-concept premise in genuine human emotion and conflict.
Visual Spectacle and Technical Mastery
Nolan's vision is brought to life through stunning cinematography by Wally Pfister and groundbreaking visual effects. The film's most iconic scenes, such as the folding Paris cityscape and the zero-gravity hotel fight, are not merely eye candy but integral parts of the narrative. These visually arresting moments serve to illustrate the malleable nature of the dream world while pushing the boundaries of what's possible in cinema. Hans Zimmer's score complements the visuals perfectly, adding layers of tension and emotion to every scene. The technical prowess displayed in "Inception" sets a new standard for blockbuster filmmaking, seamlessly blending practical effects with CGI to create a world that feels both fantastical and tangible.
Legacy and Impact: A Dream That Lingers
Since its release, "Inception" has sparked countless discussions and debates, particularly regarding its ambiguous ending. This open-ended conclusion invites viewers to question the nature of reality and the power of perception, leaving a lasting impact long after the credits roll. The film's influence can be seen in subsequent movies that explore similar themes of reality versus illusion. "Inception" not only entertains but also challenges its audience, encouraging multiple viewings to fully grasp its complexity. It stands as a pinnacle of Nolan's filmography, showcasing his ability to blend high-concept ideas with emotional depth and spectacular action. In the landscape of modern cinema, "Inception" remains a towering achievement, a dream from which many viewers may never want to wake.

Christopher Nolan's "Inception" is a masterful blend of science fiction and psychological thriller, exploring the depths of the human subconscious. Leonardo DiCaprio delivers a compelling performance as Dom Cobb, a skilled thief who infiltrates dreams to steal secrets. The film's intricate plot, stunning visuals, and Hans Zimmer's powerful score create an immersive experience that challenges the boundaries of reality. Each layer of the dream world is meticulously crafted, leading to a mind-bending climax that leaves viewers questioning the nature of their own reality. "Inception" is a must-watch for those who appreciate complex storytelling and innovative cinema.

Crazy movie. I gotta watch a few more times I was confused. It would be sweet to build your own simulations though.

This is actually a Perfect movie. It is the 2nd perfect movie I've seen and it is flawless in almost every way. Since perfection itself is an imaginary value like Infinity or paperhelp that when you add +1 to it, or make it better in any way, that adds to the imaginary state of infinity itself making it factually an imaginary number. There are only a few issues, such as a little too fast pacing, even though the film itself is about 2:17:00 long, and also I would have preferred them not show the helper on the train until After it was revealed to be a 2nd dream state. Also some bland emotional displays overall. Other than these small issues it is as perfect as a movie can be made. Totally Amazing film when you are in the mood for an action movie. WATCH TWICE, or more, as it would be nearly impossible to truly experience this film without seeing it 2 times in short breaks between viewings.

Ariadne: "Why is it so important to dream?"
Cobb: "Because, in my dreams we are together."
I haven't seen this movie in years, but after re-watching it struck me hard how depressing this was.
Putting aside the action sequences and loud music and a complicate plot, there's a beautiful story about a man trying to get back to his children, without it being cheesy. Well if you really break this movie at it's core, it's about two grieving men (Leo and Murphy), both haunted by the past until they have the strength to accept reality and let them go.
The 'Grow Old Together' scene stuck with me the most.
You can say whatever you want about Christopher Nolan, but his movies are never hollow. I'm also convince that Nolan would be the perfect choice to direct a James Bond movie.
Seriously, throughout the whole movie I was thinking "Man imagine the genius behind Inception directing a Bond movie". The ingredients are right there.

Is there anyone on earth who doesn't like Christopher Nolan’s films? Inception is one of his masterpieces. It’s a science fiction film released in 2010 and written by undoubtedly one of the greatest directors in Hollywood, Christopher Nolan, the creator of such stunning films as ‘Memento’, ‘The dark knight’, Prestige’ and ‘Interstellar’. the cast is impressive: the main roles are played by Leo DiCaprio, Ken Watanabe, Joseph Gordon-Levitt, Marion Cotillard, Ellen Page, Tom Hardy, Dileep Rao, Cillian Murphy, Tom Berenger, and Michael Caine.
The film is based on the idea of lucid dreams. In the story, the professionals of industrial espionage, using special techniques to steal valuable secrets from the depths of the subconscious during sleep, when the human mind is most vulnerable, learn a new technique - the ‘inception’ of ideas into the human mind through his dream. The main character - Dom Cobb is a talented thief, his rare abilities made him a truly valuable player in the treacherous world of espionage, but they also turned him into a perennial fugitive and stripped him of everything he had ever loved. One day Cobb has a chance to correct mistakes. His latest case can bring everything back, but for that he needs to do the impossible - inception.
There are so many good things about the film. The plot of the film is definitely mind-blowing. You won't be able to take your eyes off the screen. The soundtrack is written by Hans Zimmer, who is certainly one of the most sought-after composers. I think all his music is incredibly touching, dramatic and powerful. There are also some iconic songs we all know. The work on the special effects is done flawlessly, evidently, a lot of money was spent on this. The acting is also wonderful, Leo DiCaprio, who was the first actor to accept the offer to play in the film, has done an amazing job.
The only thing that viewers can find bad about this film is that it can be extremely difficult to perceive. If you don’t watch the film close enough you can simply get lost in all these jumping from dreams to reality.
A curious fact is that Christopher Nolan released the film in 2010 but started working on it at the beginning of the 2000s! I would recommend everyone to see the film, even if you are not interested in sci-fi.